Lucia Klander
Lucia Klander is a visual communicator and art director, born and based in London, UK.

        Currently, she works as a designer at Rodeo, crafting beautiful work for a diverse range of brands from Monster Energy to Prime Video.
        Her expertise spans across branding, print, and digital design, as well as photo and art direction for both graphic and motion design projects.
        With a background from Central Saint Martins, Lucia’s personal design practice is rooted in engaging people with happenings through a thoughtful process of care, community, and play.

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Education
BA Graphic Communication Design at Central Saint Martins, UAL

Design Experience


Rodeo 
MUBI
Soul London
Pad Creative

Freelance Clients

WPP

Select Agency Clients

ainslie+ainslie
Monster Energy
Entain
Prime Video
Primark
Philips Sonicare
Kingdom Collective

Contact
LinkedIn
Instagram
E-Mail

Everything Else

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All Projects

Select Social PostsRodeo
Social Designainslie+ainslie
Burn Energy TourMonster Energy
Brand Filmainslie+ainslie
Playlist CoversRodeo
Brand RefreshRodeo
2024

A Big OccassionPrimark
Speedy DatingGosnells Of London
Stick for JoyRodeo
Not So MUBIMUBI
2023

Atticus Journal ‘24WPP
Red TalkUAL: Central Saint Martins
Playground PoliticsUAL: Central Saint Martins
LeftoversUAL: Central Saint Martins
ABCD...ADHDUAL: Central Saint Martins
OverthinkerUAL: Central Saint Martins
Anarchy in ActionUAL: Central Saint Martins
Personal Library

This is currently a WIP, I am curating a collection of personal findings, ephemera and books of personal significance to me. Not my own work, but defying my design approaches.
Find me here!
©2021 - ‘24
WPP: Atticus Journal ‘24 Identity
2023

Challenge + InsightWhen I was selected as one of five panelists to design the cover for WPP’s Atticus Journal 2024, themed “Intersection of Machinery and Humanity,” I chose to focus on the growing integration of AI within the creative industries.

I aimed to portray AI in an optimistic light, encouraging individuals to leverage its capabilities to enhance their workflows and drive innovation.


Design MechanicsIt was crucial for me to visually communicate three distinct intersections: the creative process, typography, and broader conversations surrounding AI.

To achieve this, I combined human script fonts with terminal fonts, illustrating the varied approaches to creativity and the differing perceptions of AI. In addition to the Atticus Journal’s title, I incorporated words that signify the creative process and explore how AI can play a role in it.

The gradient background symbolises the fluidity of ideas within the creative journey, while a sturdy path introduces a sense of direction, adding depth and intrigue to the design. I also incorporated texture into all assets to celebrate the tactile nature of the Atticus Journal, even in its absence that year.

To highlight the different realisations and timelines in the creative process, I included various stickers that represent smaller thoughts and notes along the base path. Among them is a receipt illustrating the costs of AI for those facing creative blocks, showcasing the advantages AI can bring to the creative workflow. Additionally, I added lighter commentary, such as a humorous remark about ChatGPT being more hydrated than ourselves to draw attention to the environmental impacts of overusing AI, along with a blue heritage plaque commemorating the first-ever AI-generated image—typically awarded to humans.

This design not only captures the essence of the theme but also invites readers to engage with the conversation about AI’s role in creativity.